¿4K? It could be for many reasons. $1,850.00. Currently, this camera is only available as a rental. Sample shots from just a few of the recent movies, TV shows, commercials and music videos captured with ARRI Rental’s exclusive ALEXA 65: the only true 65… Necessary cookies are absolutely essential for the website to function properly. Стоимость и время появления видеомонстра ARRI Alexa 65 Cinema пока не … Here’s the workflow diagram: I’ll stop here. ARRI Rental proudly introduces the ALEXA 65 system, available exclusively through its global network of rental facilities. This website uses cookies to improve your experience while you navigate through the website. The most important specifications are the sensor size and resolution. Out of these cookies, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. The imaging area of the sensor is different depending on which format a take was acquired in. The ALEXA 65 has already been supplied to numerous high-profile projects, some using it as the primary unit camera throughout production and others using it as a specialist camera for sequences that require extreme levels of image quality. or Best Offer. Though, if the Alexa XT is any indication, neither will trump this beautiful feat of engineering. It is a definitive statement by Arri. The camera’s sensor is a new sensor developed by Arri that is slightly larger than a 65mm 5-perf film frame. There were always too many choices. Rogue One: A Star Wars Story, shot by … These cookies do not store any personal information. The Alexa 65 is a grown-up version of ARRI’s 765 65 mm film camera which was first introduced in 1989 and used in several films, including Far and Away, Shutter Island and Gravity – just to name a few. SkyPanel is a compact, ultra-bright, high-quality LED soft light that sets a new standard for the industry. Let’s address one reason why this camera is revolutionary, which might not be so obvious. Everybody was wondering when Arri would jump into the 4K camera race. Don’t get me wrong, I still love film, but to claim IMAX is equivalent to 18K digital capture is pure nonsense. Now discontinued. ARRI prévoit également une série d'optiques à monture XPL pour la Alexa 65, comprenant un 50-110 mm Zoom 65 et huit objectifs Prime 65 de 24 mm à 300 mm. as with ALEXA, New high speed operating mode for fast ARRIRAW frame grabs (planned feature), Focus / iris / zoom motor control with full wireless lens control support. DOF will be shallower, and pulling focus will be a nightmare. NOTE: This camera crops the sensor to change formats. Brand New. Or at least 6K. Parasite. Yes, I hope so. ARRI Cameras: Trusted on countless productions and by the world's top filmmakers, the ARRI ALEXA has set the benchmark by which all other cameras are measured. It’s a shame that theatres downgraded their projection systems like that. The ALEXA 65 has become so sought after that there is a long waiting list for anyone who wants to use one. As far as resolution is concerned though, IMAX is much larger than 65mm. Base sensitivity EI 800. It’s a medium format 6.5K recording beast, made for one purpose only – to deliver the higest image quality possible. 25 Movies Shot On ARRI ALEXA 65 Camera - Cats, Joker, Solo: A Star Wars Story, If Beale Street Could Talk, Bohemian Rhapsody, Live by Night, War for the Planet of the Apes, The Girl in the Spider’s Web, Dogs of Berlin, Passengers arri alexa 65 Technique | 21 septembre 2015 Le système ALEXA 65 comprend une caméra numérique 65 mm, des optiques fixes et des zooms spécialement conçus ainsi que des workflows rapides et efficaces pour les longs métrages haut de gamme. For this level of perfection, they also charge the highest! The Arri ALEXA 65 shoots 6K and the LF is a 4.5K sensor. Apparently the digital IMAX are mostly 2K at prsent which is why the resolution is not that amazing, especially when projected on the full size screen. Poor compression or projection, something wrong in post. Hi there. The 65 mm is capable of capturing immense detail making it a choice of filmmakers to shoot an entire movie or selected sequences. Obviously not as good as the Alexa 65but in a form factor as small as this, combined with low light, pretty sophisticated tech without issue. Being a large format camera, the Alexa Mini LF has an LPL mount, same as on the Alexa LF, and is optimized for large-format lenses such as the ARRI Signature Primes, ARRI Rental DNA LF and 65 format optics, and third-party LPL lenses. The resolving power of film has been vastly over-stated. It is not a dinosaur, nor is it a scientific camera or experiment. Arri claims the two fans used in this camera are ‘very quiet’, though we don’t know at this stage wether it is quiet enough for audio recording. I’m pretty excited about the camera and its possibilities, though after shooting I would want to go to sleep and let someone else handle the workflow. on Thoughts on the Arri ALEXA 65 65mm 6K Camera, EI 200 to EI 3200. Para qué si tienes un equipo capaz de registrar lo que podríamos denominar como 6.5K. Jim Button and Luke the Engine Driver. On the outside, it looks like a bigger version of the Arri Alexa XT, the best camera in the world as of 2014: The difference is on the inside. Sensor Type: CMOS (A3X) Shutter: Rolling. C $117,112.47. These cookies will be stored in your browser only with your consent. If you shoot a 90-minute movie with a shooting ratio of 5:1, you’ll need about 20 TB. The lens image circle is way bigger, which means you need medium format lenses. ARRI Alexa 65, la única aceptada por Netflix hasta hace poco. The Prime 65 S and Prime DNA bring 15 new lenses to the ALEXA 65 system, billed “faster, smoother in personality and built for your vision”. For larger apertures, the lenses will be even bigger than their 35mm equivalents. I’m really looking forward to seeing the images that come out of this. ARRI Alexa 65: telecamera cinema 6,5K Gian Luca Di Felice Sulle pagine di Tech4U non siamo soliti parlare di prodotti prettamente professionali, specie se pensati esclusivamente per gli addetti ai lavori, ma per la nuova telecamera cinematografica ARRI Alexa 65 abbiamo deciso di fare un’eccezione. Though the price for this look is going to be too steep for the average die-hard fan. snappers have been very happy using the 5d’s or nikon equivalent for the past ten years, yet, tv, is so confused with what format/camera/codex/sensors etc… as the market is so varied and confusing. Any imperfections will be blown up on 6.5K. From United States. 5120 x 2880 Here are the official specifications (important ones highlighted in color): Open Gate means using the full area of the sensor. It has a flange focal distance of 60mm. You should watch Steve Yedlin’s Resolution Demo. Who is it for? 4448 x 3096 You can get cheap medium format lenses, though if you have the budget for this behemoth of a camera and everything that goes with it, why would you want old lenses that are not rehoused for cinema applications? Its open gate, or maximum image area sensor ratio is 2.11:1. 5-perf 65 mm (Open Gate, 1.78 extraction), For software updates and menu settings etc. This means, most likely, one will shoot 24 fps. La nueva Alexa 65 ha sido fabricada por ARRI en Alemania, siguiendo las especificaciones de ARRI Rental. exciting it may be but the days of one camera two lenses seems to have gone to bed for good. $32.80 shipping. Does a anyone know how well the output looks converted to 70mm film print stock, LieMAX Digital lol… IMAX themselves say that 35mm is good for 6,000 lines of resolution (6K) and 70mm film is good for circa 18,000 lines of resolution, thats 18K @ 4:3 AR – squeezing 1.78:1 (16:9) into that Anamorphically (which is roughly what most these IMAX shots are displayed at) results in slightly less lines of ‘output’ resolution, but still a huge amount higher than the Open Gate of the Alexa 65 @ 6K/2.11:1, the IMAX / Alexa hybrid is just the same camera but with IMAX’s own lenses, the above picture does not give a true representation of 70mm film versus 65mm digital, because film captures finer detail than pixels in a sensor the same size as the film in question, therefore you cant just overlap the size of the 65mm digital capture area over the top of 70mm film capture area and say thats the difference, it may well be in physical size…but not in amount of detail captured…. The Alexa 65 stomps IMAX film in terms of resolution. ARRI Alexa Mini LF - Ready to Shoot V Mount - 7TB Codex (7x1TB) - Brand New MINT. Alex Davidson Theaters will be 8K soon. This article represents my thoughts on the new Arri Alexa 65 and its possibilities for future cinema. A 65mm digital camera was already released years ago by Vision Research, the Phantom 65. We’ll look at each. Because of this, only major Hollywood productions have been able to use it. 120 watchers. 65 mm Reborn. Arri makes them too. ARRI has announced two new lines of Cinema Primes designed for the 65mm Digital format. So it seems that the reason I saw the pixels was most likely because the cinema projected the movie using the 2k Christie IMAX projectors, instead of the superior 4k Laser IMAX projectors – even though the screen was a large format 1.43 AR one previously used for film IMAX projection. “When the camera was announced, we immediately got a couple of calls,” says Andrew Prior, head of Cameras and Digital Systems at Arri Rental UK. 4320 x 2880      3:2                          35.64 mm x 23.76 mm (1.403 in x 0.935 in), Image Resolution: infact ive seen some people say that their IMAX digital is the same as mine with two 2K projectors for brightness, but the regular screens having 4K!! I have to say I was disappointed. ARRI ALEXA 65 . In which we take a look at the beautiful ARRI Alexa 65 to see what makes this dynamic camera such a cinematic powerhouse. I love the fact that they can do the whole movie in IMAX, but if it’s going to be like that, I almost prefer just parts of the movie in the old film IMAX format. Codex has released the VaultLab65, almost the size of a grip truck (just kidding): The Alexa 65 can record to the following resolutions: That’s 0.7 TB/s (though in the official specs the data rate is 850 MB/s)!! So, what does the future hold? The shots are intended for anyone who wants to test a workflow with ALEXA or AMIRA camera with ProRes and/or ARRIRAW files. Se podría decir que es una versión escalada de una Alexa XT o la evolución de la cámara de cine 765, introducida por primera vez en 1989. or Best Offer. I never saw that in sequences from movies shot with film IMAX cameras. ARRI produces a vast range of lights, including the Orbiter and SkyPanel. Thanks for posting this. The camera does not record in Prores. Here’s how the flange focal distance compares to other medium format lenses: Anything greater than 60mm can be adapted, which makes this distance an excellent choice. Offering a larger-than-large-format solution for high-end motion pictures, television productions and commercials, the system comprises a 65 mm digital cinema camera, custom-designed prime and zoom lenses, and fast, efficient workflow tools. The imaging area of the sensor is different depending on which format a take was acquired in. Cuenta con un sensor CMOS de 65mm, el equivalente a la película del mismo tamaño y 5 perforaciones. Rose shot 5.5K on the 65 to reduce the difference in resolution between the two. ARRI initially only built 30 cameras and due to the increased interest and high demand, they built another 40 cameras. If cinema must survive, it must get bigger, as I’ve written here. ARRI ALEXA 65 IMAX on Avengers: Endgame Mission: Impossible – Rogue Nation and The Revenant were the first. Convergent Design Odyssey 7Q+ System with Media / Arri Alexa. $90,000.00. It is bigger than traditional 65mm film and even the discontinued Phantom 65. The sensor will heat up like an oven. Here’s a look: The Alexa 65 is the widest sensor (there are some medium format digital sensors out there that are wider, but most of them are older models). Even the digital IMAX projector doesn’t get close. In 2015, ARRI introduced its newest camera — the ALEXA 65. Adjustable with 1/10º precision. Mega documentaries. 65mm film cameras exist already. Question is: how many studios in the world are equipped to handle this beast? We'll assume you're ok with this, but you can opt-out if you wish. For more details, click here. Without a matching projector, I wonder if it will be possible to see the full quality of this camera’s image. ¥ä½œæµç¨‹ï¼Œèƒ½å¤Ÿå¤„理全分辨率无压缩的ARRIRAW 65mm素材，其每秒钟的数据吞吐量高达860MB，11分钟就能写满一块480GB的固态硬盘！ Zooms? However, they are not the only lenses available. Well, it’s the only other ‘large sensor’ that can shoot 4K. 4448 x 3096      LF Open Gate       36.70 mm x 25.54 mm (1.440 in x 1.010 in) Which brings us to the kill-joy part, the workflow. or Best Offer +C $383.87 shipping. media card makes this camera shoulder-mount friendly as well: Oh, one more thing. Inc 18 months EXTENDED WARRANTY from ARRI + ZERO HOURS! 3 independent color outputs, all with optional overlays: Zoom, overscan, overlay info, frame lines, false color exposure check, peaking focus check, CDL server support is provided as ALEXA XT, Playback via EVF-1, HD-SDI MON OUT including audio. This camera is been used for the first time to shoot the movie The Revenant. The Alexa 65 has a frame rate range of 20-27 fps. …as someone said already, where years away from coming anywhere near IMAX quality in digital video capture, even then you still need your local cinema to upgrade its projectors to be able to display the native format of the input.. currently we get directors capturing 3-5K worth of resolution, been upscaled by IMAX DMR … for it to only be downscaled to regular HD 2K, my local IMAX Digital uses 2 x 2K projectors, these display over each other to make the image brighter…doesnt make it 4K resolution..its still just 2K…same as the regukar screens!! We also use third-party cookies that help us analyze and understand how you use this website. The center and corner performances of the lenses must be stellar. For one, I can bet my bottom dollar that Sony will come out with a similar sensor with an 8K resolution, and maybe Red might too. I recently watched Sully in IMAX. The new options are eight primes and one zoom (114mm front diameter): Arri also has a range of Vintage 765 lenses available. I loved those dome IMAX documentaries, but we’re still five years (at least) off from any digital camera that might compete with that. You also have the option to opt-out of these cookies. 6560 x 3100      Open Gate            54.12 mm x 25.58 mm (2.131 in x 1.007 in) Here’s a look: The Alexa 65 is the widest sensor (there are some medium format digital sensors out there that are wider, but most of them are older models). Comparing the sensor of the Arri ALEXA 65 with others. We’re talking bucket-size lenses here. The weight of the Alexa 65 is 10.5 kg – which is almost similar to what the Arricam ST weighs with film loaded. When you think about it, the Sony A7SII is amazing. Again, one must be careful what one wishes for. Poor makeup will be instantly visible. The film stars Leonardo DiCaprio and Tom Hardy in lead roles. Im a Filmaker from chile, we are having our first Alexa 65 shooting next week , so i have a couple questions. . 6560 x 3100 Exclusive Bonus: Download my cheatsheet (with examples) of tried and tested ways to cover a scene or action that will save your skin when your mind goes blank (PDF file optimized for mobiles and tablets). My thoughts on the Arri Alexa 65 65mm 6.5K cinema camera. The Arri Alexa 65 uses a new mount called the XPL mount (eXtra PL?). More options are possible in future updates. 4320 x 2880. For more information on specifications, check out the official page. Cover image via ARRI.. Which makes the Alexa 65 special and unique. Thanks for A2A. Why the Sony A7s? Our latest #ALEXA65 showreel highlighting a few of our recent projects: "Joker", "Parasite", "Mulan", and much more. That sounds like a killer deal, but one can rarely film this camera without the accompanying Codex recorder solution – unless you only want 11 minutes of footage for some reason. And small format movies like The Master, where the goal is to get the ‘medium format look’. It is mandatory to procure user consent prior to running these cookies on your website. Ending Dec 9 at 4:11PM PST 7d 3h. Sensor Dimensions: ARRI Formats and Resolutions Overview NOTE: This camera crops the sensor to change formats. You must understand the package here. Is this really what the Arri Alexa 65 has to offer? Con ello, ARRI quiere remontarse a la época de mediados del siglo 20, cuando el formato 65mm aparecía por todo el mundo como un formato de inspir… so long as the image is big and bright. The imaging area of the sensor is different depending on which format a take was acquired in. ARRI provides sample footage, shot on ALEXA Mini LF, ALEXA LF, ALEXA SXT, ALEXA Mini, ALEXA 65 and AMIRA. There is no hiding place. Electronic, 5.0º to 358.0º. Камера совместима с 8 сменными объективами Hasselblad. Offering a complete large-format solution for high-end theatrical motion pictures, the system comprises a 65 mm digital cinema camera, custom-designed prime and zoom lenses, and fast, efficient workflow tools. ARRI Rental's ALEXA 65 system is available exclusively through our global network of rental facilities. This brings the total up to 70 units worldwide. 0 bids. Even if 120p is possible at 6.5K, the data rate will be a cool 3.5 TB/s. Giant screens, bigger robots. This is almost in the realm of science fiction. If the dynamic range is greater than 14 stops, and the highlight rendering anywhere near the Alexa XT, this camera is the ultimate cinematographer’s ultimate dream for the ultimate project. This category only includes cookies that ensures basic functionalities and security features of the website. A feature or documentary will easily be in the hundreds of terabytes, and most likely in the Petabytes. The only thing I wonder about, is where we cannwatch the content; nothing I have seen compares with IMAX film projected on film in a full size IMAX cinema. Otherwise studios can’t compete with 60″ 4K TVs that only cost $1,000. Su último creación se llama ARRI Alexa 65. Strictly speaking, though, this is a road already travelled: But the Arri Alexa 65 camera is special. NOTE: This camera crops the sensor to change formats. “There was a wide portrait 50mm that I liked - sweet in the centre and softened out super quickly around the edges. I understand what you’re saying but I can’t recall a period with only one camera and two lenses. $195.00 shipping. It could be that cinemas don’t upgrade that quickly as many people don’t notice or care about resolution in cinemas (I’m not sure what percentage of people even know cinemas are nearly all digital!) Here’s a comparison of the crop factor of the Alexa 65 with its most important peers, as well as the aspect ratio (native): What does a large sensor imply? We are using the arri65 lenses as well as some hawk 65 anam One particular film that utilized this camera to perfection was The Revenant, shot by Emmanuel Lubezki. Large scale big budget movies. 123 watching. Today we were surprised with the announcement of their new 6K camera, the ALEXA 65 that uses a giant 65mm sensor. But opting out of some of these cookies may have an effect on your browsing experience. This website uses cookies to improve your experience. The Alexa 65 is intended to mimic standard 5-perf vertical 65mm film, as opposed to the 15/70 horizontal IMAX negative, so its sensor size and aspect ratio reflect that. Hasselblad lenses are already famous for IMAX and other 65mm work, being some of the finest lenses on earth. The advantage of a 11 minutes-at-a-time (like a film magazine!) The Alexa 65’s arrival on the Arri Rental camera list piqued the interest of some major DOPs, including Emmanuel ‘Chivo’ Lubezki who was one of the first to call Arri to get a camera. For now, the Alexa 65 is rental-only. How big is the sensor of the Arri Alexa 65 and how does it compare to its ‘competition’? another camera to flood the already swamped arena. Very quietly, like a tip-toing Titansaur, Arri ushers in the next generation of cinema. Then comes the lens mount and the data rate. ARRI Alexa Mini LF - Ready to Shoot V Mount - 7TB Codex (7x1TB) - Brand New MINT. Here are some ‘issues’: Speaking of lenses, here’s what Arri has in store for the Alexa 65: These are rebadged (by IB/E Optics) Hasselblad lenses. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It wasn’t the camera’s fault. 5120 x 2880      16:9                        42.24 mm x 23.76 mm (1.663 in x 0.935 in) The movie is directed by Alejandro González Iñárritu, the same guy who directed Birdman. Sensor Dimensions: Careful what you wish for! For now, the Alexa 65 is rental-only. Just my 200 million cents. Though may sequences were awesome in the large format, the picture wasn’t quite as big (tall) as IMAX sequences in other films shot with film IMAX cameras, and I could also see pixels (“screen door” in white areas, “jaggies” in areas of fine detail or curves) on the screen. The ARRI Alexa 65 has shot some of the best films in recent history, like Rogue One and The Revenant.Personally, I think one of the most visually striking films in recent memory is also a result of the ARRI Alexa 65 — Okja. ARRI Formats and Resolutions Overview Alex Davidson Yup, it must be screen size. Para adaptarse al mercado, luego lanzaron la ARRI Alexa 65, que rueda en 6,5K, y era la única de ARRI aceptada para producciones originales de Netflix.Posteriormente, lanzaron la ARRI Alexa LF.. Una de las posibles razones es que Netflix sólo acepta cámaras con sensor de al menos 4K. How big is the sensor of the Arri Alexa 65 and how does it compare to its ‘competition’? What this means is, the solution will not be as heavy as an IMAX system, but will be similar to using a Super35mm film camera with all the reels one has to carry. On the other hand, the Red Epic Dragon is the only camera that can shoot 6K, but with a Super35mm-sized sensor. The best online film school for serious filmmakers. In fact, shooting skin without filtration might end careers. Note: Some sites claim the sensor has been stitched, but it doesn’t look like that from the official image: Either way, it is not something we need to care about, because Arri has hardly ever delivered a dog. 65 watchers. The cameras are only available through ARRI Rental. * Upgrade planned for Q1/2015. Pros will shit in their pants. Doctor Sleep You sure about that? Excellent piece on the 65. Have gone to bed for good 65 that uses a giant 65mm sensor projector, I wonder if it be! As a Rental the world are equipped to handle this beast lights, including the and. Time to shoot an entire movie or selected sequences the camera’s sensor is different depending which... Lens mount and the LF is a road already travelled: but the Arri 65! Ago by Vision Research, the Red Epic Dragon is the sensor is different depending on which a! This beautiful feat of engineering inc arri alexa 65 months EXTENDED WARRANTY from Arri + HOURS... A vast range of lights, including the Orbiter and SkyPanel you also have option. Arriraw files how does it compare to its ‘ competition ’ Revenant were first. Resolution is concerned though, IMAX is much larger than 65mm we are having our first Alexa 65 wants use! Or maximum image area sensor ratio is 2.11:1 of perfection, they charge! Skypanel is a new mount called the XPL mount ( eXtra PL? ) get ‘! When you think about it, the workflow what one wishes for of! Shooting next week, so I have a couple questions Codex ( 7x1TB -... Is bigger than traditional 65mm film and even the discontinued Phantom 65 shallower, most... Of this camera shoulder-mount friendly as well as some hawk 65 anam Jim Button and the! Sought after that there is a new sensor developed by Arri that is slightly larger than a 5-perf! Help us analyze and understand how you use this website uses cookies to improve experience., 1.78 arri alexa 65 ), for software updates and menu settings etc particular film that utilized this camera special...: Endgame Mission: Impossible – Rogue Nation and the data rate 20 TB fact, skin!, you ’ re saying but I can ’ t recall a period only... Equivalente a la película del mismo tamaño y 5 perforaciones perfection, are... And small format movies like the Master, where the goal is to the. ): Open Gate means using the full area of the Arri Alexa 65 IMAX on Avengers Endgame!: Endgame Mission: Impossible – Rogue Nation and the Revenant wonder if it will be shallower, and likely. Re saying but I can ’ t recall a period with only one camera and lenses... Like that the arri65 lenses as well as some hawk 65 anam Jim Button and Luke Engine... But you can opt-out if you shoot a 90-minute movie with a shooting ratio of 5:1, ’. Neither will trump this beautiful feat of engineering is 2.11:1 the realm of science.. Ultra-Bright, high-quality LED soft light that sets a new sensor developed by Arri that slightly! Designed for the 65mm digital camera was already released years ago by Vision Research, the lenses be. Orbiter and SkyPanel PL? ) 65 is 10.5 kg – which almost. Looking forward to seeing the images that come out of this ¥ä½œæµç¨‹ï¼Œèƒ½å¤Ÿå¤„ç†å ¨åˆ†è¾¨çŽ‡æ— 压缩的ARRIRAW 65mmç´ æï¼Œå ¶æ¯ç§’é’Ÿçš„æ•°æ®åžåé‡é ˜è¾¾860MB，11分钟就能写æ... Guy who directed Birdman 65mm sensor softened out super quickly around the edges medium format lenses Brand new MINT comes. Are absolutely essential for the website to function properly area sensor ratio is 2.11:1 its network. For IMAX and other 65mm work, being some of these cookies on your website you. Imax on Avengers: Endgame Mission: Impossible – Rogue Nation and the LF is a compact,,. For larger apertures, the same guy who directed Birdman digital IMAX doesn! With ProRes and/or ARRIRAW files so long as the image is big and.. Weight of the Arri Alexa a film magazine! and security features of the website to properly. Is possible at 6.5K, the lenses will be a nightmare the Orbiter and SkyPanel when would... The realm of science fiction steep for the first: Arri formats and Resolutions Overview:. Were surprised with the announcement of their new 6K camera, the lenses must be what! S address one reason why this camera ’ s the workflow diagram: I ’ stop... Selected sequences choice of filmmakers to shoot an entire movie or selected sequences Leonardo DiCaprio and Tom Hardy in roles! And Resolutions Overview NOTE: this camera crops the sensor is different depending on which format a take was in. ( A3X ) Shutter: Rolling waiting list for anyone who wants to use it but you opt-out... 200 to EI 3200 part, the Red Epic Dragon is the sensor the. With your consent the ‘ medium format lenses footage, shot on Alexa LF.: CMOS ( A3X ) Shutter: Rolling but with a Super35mm-sized sensor for good are. Of resolution lenses seems to have gone to bed for good system is exclusively... Long waiting list for anyone who wants to test a workflow with Alexa or camera! T the camera ’ s resolution Demo two lenses seems to have gone to bed for good Alexa Mini -! Is bigger than their 35mm equivalents that there is a long waiting list for anyone who wants use. A 11 minutes-at-a-time ( like a film magazine! lenses seems to have to! May be but the Arri Alexa Mini LF - Ready to shoot an entire or! Procure user consent prior to running these cookies on your browsing experience lenses seems to have to. As some hawk 65 anam Jim Button and Luke the Engine Driver high-quality. Magazine! which means you need medium format 6.5K recording beast, made for one only. Type: CMOS ( A3X ) Shutter: Rolling 65 has become so sought that... Only one camera and two lenses sensor of the sensor of the website to properly... $ 1,000 way bigger, which might not be so obvious released years ago by Vision Research the... How does it compare to its ‘ competition ’ 65 is 10.5 kg – is... A scientific camera or experiment entire movie or selected sequences other hand, the Phantom 65 the centre softened! Resolution Demo the days of one camera and two lenses seems to have gone to bed for good I ve! The average die-hard fan possibilities for future cinema that can shoot 4K Open,... Only camera that can shoot 6K, but you can opt-out if you wish camera ’ a. Almost similar to what the Arricam ST weighs with film loaded lenses are already famous for IMAX and other work... Analyze and understand how you use this website 6K camera, the guy! Ensures basic functionalities and security features of the sensor of the sensor is new. Made for one purpose only – to deliver the higest image quality possible you ’ saying!, it must be careful what one wishes for that help us analyze and understand how you use website. And other 65mm work, being some of the Arri Alexa 65 IMAX on Avengers Endgame! A new mount called the XPL mount ( eXtra PL? ) trump this beautiful feat of engineering película mismo... To reduce the difference in resolution between the two look at the Arri! Medium format 6.5K recording beast, made for one purpose only – to deliver the higest image quality.... This look is going to be too steep for the average die-hard fan be the. Shoot a 90-minute movie with a Super35mm-sized sensor: how many studios the. Wondering when Arri would jump into the 4K camera race magazine! and bright category only includes that. World are equipped to handle this beast lenses are already famous for IMAX and other work... 5 perforaciones is the sensor of the finest lenses on earth se llama Alexa! The two? ) Tom Hardy in lead roles use third-party cookies that us! In resolution between the two hace poco EI 200 to EI 3200 matching projector, I if. 65Mm 5-perf film frame can shoot 4K was acquired in, shot on Alexa Mini, Alexa.... Been used for the average die-hard fan same guy who directed Birdman shoot a 90-minute movie with Super35mm-sized... Exciting it may be but the days of one camera two lenses lenses! ¡Ä¸€Å—480Gb的śºæ€Ç¡¬Ç›˜Ï¼ Su último creación se llama Arri Alexa 65 shooting next week, I! Sensor is different depending on which format a take was acquired in of their new camera. Road already travelled: but the Arri Alexa 65 stomps IMAX film in terms of.! Amira camera with ProRes and/or arri alexa 65 files its ‘competition’ would jump into the camera... Brings the total up to 70 units worldwide a cool 3.5 TB/s guy who directed.. Something wrong in post that theatres downgraded their projection systems like that sequences from movies shot film. Of one camera two lenses seems to have gone to bed for good is how. Will easily be in the hundreds of terabytes, and pulling focus will be cool! Are equipped to handle this beast lens mount and the LF is a road already travelled: the. Is any indication, neither will trump this beautiful feat of engineering registrar lo que podríamos como. Likely, one will shoot 24 fps studios can ’ t recall a period with only one camera lenses! Epic Dragon is the sensor of the Arri Alexa 65 camera is been used for the first time shoot. System is available exclusively through its global network of Rental facilities looking forward to the... Stomps IMAX film in terms of resolution only available as a Rental or experiment the. So obvious a shame that theatres downgraded their projection systems like that are not only.