- Versus Rodin: Bodies across space and time, Art Gallery of South Australia, Adelaide, Australia 2015 Foundation Course in Art and Design Newcastle Polytechnic, BA Honors, Fine Art … - Crossing Generations: diverge, curated by Geeta Kapur and Chaitanya Sambrani for 40 years of Gallery Chemould, (cat), Mumbai, India Kher's primary material is manufactured versions of traditional Indian bindi. Kathryn ANDREWS, Sophie CALLE, Leslie HEWITT, Bharti KHER, Alicja KWADE, B. Ingrid OLSON, Cornelia PARKER, Gala PORRAS-KIM, Tatiana TROUVE June 21 - August 18, 2017 new york Kher’s creations poke fun at their own trajectory: rootless, as they traverse their in-between worlds. - Photosphere, curated by Peter Nagy, Nature Morte, New Delhi, India Seeking such a blurring herself, Kher finds herself in-between the exterior, a society maladjusted to the vagaries of a global market, and the interior, a world of rituals and repressed desires. Exhibitions . - Chalo! - Urban Manners. - Museum Frieder Burda, Baden-Baden, Germany  Inspired by a wide range of sources and making practices, she employs the readymade in wide arc of meaning and transformation. - Paris Delhi Bombay, Centre Pompidou, Paris - Private/Corporate IV, Sammlung DaimlerChrysler- Lekha and Anupam Poddar Collections, Berlin, Germany - Girl - curated by Pharrel Williams, Galerie Perrotin, Paris - My Monster: The Human Animal Hybrid, RMIT Gallery, Melbourne, Australia India: A New Era of Indian Art, Mori Art Museum, Tokyo, Japan - 21st-Century Art from the Pizzuti Collection, Columbia Museum of Art, Columbia, USA It consists […] - Essl Museum, Klosterneuburg, Austria Kher brings a fresh display of a widely heterogenous practice to New York after a gap of 8 years. Arrows, ovals, circles, spirals, squiggles, and zigsags; overlaid with baubles, sequins; big as a medallion, tiny as a dot. Her most significant trademark is the use of the traditional Indian bindi which she uses in her works of all mediums. 1988-91 - Foundation Course in Art & Design Newcastle Polytechnic, BA Honours, Fine Art, Painting 1987-88 - Middlesex Polytechnic, Cat Hill, London, UK, 2020 Executed in 2006. - Trends in Contemporary Indian Art, Art Heritage, New Delhi, India - The Tree from the Seed: Contemporary art from India, curated by Gavin Jantjes, Henie Onstad Kunstsenter, (Cat), Norway - Telling Tails, New Delhi, India - YFLO Woman Achiever of the Year Collections et nouvelles acquisitions de l'Institut, Institut Culturel Bernard Magrez, Bordeaux, France - Walker Art Center, Minneapolis MN, USA Bharti Kher is mostly known for her colossal sculptures, but works in a variety of mediums. MoMA, The Museum of Modern Art Midtown | New York | USA Mar 01,2020 - Jul 11,2020 Donald Judd: Artwork: 1980. For Kher, morphing is a survival technique. - Art Heritage, (cat), New Delhi, India JR, Sophie CALLE, Johan CRETEN, Wim DELVOYE, Bernard FRIZE, Laurent GRASSO, Hans HARTUNG, John HENDERSON, Leslie HEWITT, Gregor HILDEBRANDT, Bharti KHER, Klara KRISTALOVA, Georges MATHIEU, Paola PIVI, Gabriel RICO, Xavier VEILHAN, XU ZHEN®, Kathryn ANDREWS, Sophie CALLE, Leslie HEWITT, Bharti KHER, Alicja KWADE, B. Ingrid OLSON, Cornelia PARKER, Gala PORRAS-KIM, Tatiana TROUVE, 76 RUE DE TURENNE 75003 PARIS10 IMPASSE SAINT CLAUDE 75003 PARIS2BIS AVENUE MATIGNON 75008 PARIS, Chiho AOSHIMA, Daniel ARSHAM, Sophie CALLE, Johan CRETEN, Tracey EMIN, Daniel FIRMAN, GELITIN, Laurent GRASSO, JR, Gregor HILDEBRANDT, KAWS, Bharti KHER, Klara KRISTALOVA, MR., Guy LIMONE, Ryan MCGINLEY, Takashi MURAKAMI, Prune NOURRY, Jean-Michel OTHONIEL, Paola PIVI, Terry RICHARDSON, Germaine RICHIER, Aya TAKANO, Xavier VEILHAN, Andy WARHOL, Marina ABRAMOVIC, Valerie BELIN, Guerrilla Girls, Alex KATZ, Annette MESSAGER, Yoko ONO, Rob PRUITT, Cindy SHERMAN, Taryn SIMON, Mickalene THOMAS, Agnès THURNAUER, Tom WESSELMANN, Takashi MURAKAMI, Sophie CALLE, Johan CRETEN, Wim DELVOYE, ELMGREEN & DRAGSET, Lionel ESTEVE, Bernard FRIZE, Bharti KHER, KOLKOZ, Klara KRISTALOVA, Guy LIMONE, Jean-Michel OTHONIEL, Paola PIVI, Claude RUTAULT, Michael SAILSTORFER, Xavier VEILHAN, Takashi MURAKAMI, John ARMLEDER, Tauba AUERBACH, Hernan BAS, Matthew DAY JACKSON, Bernard FRIZE, Mark GROTJAHN, Andrew GUENTHER, Sergej JENSEN, Bharti KHER, Adam MCEWEN, Olivier MOSSET, R. H. QUAYTMAN, Claude RUTAULT, Lee UFAN, Piotr UKLANSKI, Martin WOHRL, Tatiana TROUVE, Jean-Michel OTHONIEL, Bernard FRIZE, Xavier VEILHAN, Aya TAKANO, Johan CRETEN, Bharti KHER, Piotr UKLANSKI, KOLKOZ, Klara KRISTALOVA, GELITIN, Paola PIVI, Chris VASELL, Sophie CALLE, Martin OPPEL, Chiho AOSHIMA, Peter ZIMMERMANN. What face does this being present to the world, looking into the mirror, and carefully adding that cultural full stop - straight between the eyes? 2003 - Surface Work,  Victoria Miro, London, UK Bindi’s don’t mean anything! - Sirpur Paper Mills, workshop Exhibition, at Art Inc, New Delhi, India - Vancouver Art Gallery, Vancouver, Canada My Bengali aunt has only worn black bindis since her husband died, in keeping with the tradition that widows should not wear red. - Bharti Kher, Parasol Unit Foundation for contemporary art, London - Go East: The Gene & Brian Sherman Contemporary Asian Art Collection, curated by Suhanya Raffel See our Privacy Policy for more information about cookies. - Re-imagining Asia, A thousand years of separation, curated by Shaheen Merali and Wu Hang, at the House of world cultures (cat) - Codes of Culture, SKE Gallery, New Dehli, India - The Sneeze 80x80, curated by Peter Lloyd Lewis and Natasha Makowski, Cape Town, Durban 2005 Bharti Kher Born in London in 1969, Bharti Kher’s art gives form to quotidian life and its daily rituals in a way that reassesses and transforms their meaning to yield an air of magical realism. - Vanitas Vanitatum, curated by Peter Nagy for Sakshi Gallery, Mumbai, India 124-125, detail illustrated in colour, p. 122). - Squires Gallery, Newcastle Polytechnic, Newcastle upon Tyne, UK, - Queensland Art Gallery, Queensland, Australia - Worcester Art Museum, Worcester MA, USA Kher’s hybrid creatures are fabricated from such a dystopian repository which architect Rem Koolhaas defines as “junkspace, a domain of feigned, simulated order, a kingdom of morphing.” Junkspace is a playful and residual spatial disorder that results from the unregulated growth of cities. 2013 - Bind the Dream State to your Waking Life, Galerie Nature Morte, New Delhi, India - Inside outside, Nature Morte, New Delhi, India Herein lies the transformative power of art to take the ordinary stuff of life and create something altogether new which returns us back to reality with a fresh sense of the divine, immanent all around us. Gagosian Gallery, New York (21st Street) Chelsea | New York | USA Mar 12,2020 - Jul 11,2020 Bharti Kher: The Unexpected Freedom of Chaos Bharti Kher Mimic 2005 129×128cm. Find the latest shows, biography, and artworks for sale by Bharti Kher. 2008 - Telling Tails, Galerie F.I.A, Amsterdam, Netherlands From Third Eye to Second Skin: Some notes on the Bindi. - Le troisième Oeil, Lille 3000, curated by Caroline Naphegyi, (cat), Lille, France 2007 Transforming Vision: 21st Century Art from the Pizzuti Collection, Columbus OH Again: wrong, but not entirely. It says “I’m a woman” and “I’m an Indian”. The blue sperm whale is one of the world’s largest animals. - Kiran Nadar Museum of Art, New Delhi, India - Anomalies, Kukje Gallery, Seoul, Korea Like many other artists, Bharti Kher reflects a modern, indeed post-modern sensibility - a world where concepts like “authenticity” rarely come without quote marks, and where “globalization” has rendered national borders highly permeable to products, ideas, and even images. - Points de départ, points qui lient, DHC/ART Foundation for Contemporary Art, Montreal, Canada 2004 2018 The host of the evening, Siddharth, making artist Bharti Kher feel comfortable ( Naina Redhu ) As initiation into a lifelong apprenticeship to art practice, she credits literature. - Misdemeanors, Rockbund Art Museum, Shanghai, China - Bad Taste, Apparao Gallery, at The Apeejay New Media Centre, New Delhi, India - Nature Nation, Museum on the Seam, Jerusalem, Israel
Re-imagining Asia. Bharti Kher uses stick-on bindis as a central motif in her practice. About The Artist. - In Her Own Language, Lawrence Wilson Art Gallery, Perth, Australia Bharti Kher: A Bag Full Of Love When Bharti Kher summons her artistic prowess to reinterpret an iconic fashion accessory the results might well tread into a near-cerebral experience. - Textile – Fabric as Material and Concept in Modern Art from Klimt to the Present, Kunstmuseum Wolfsburg, Germany The bindi takes its name from the Sanskrit word “bindu,” or dot. - Entre deux expositions. Education 1988. God’s Oasis’ at Hauser & Wirth Zürich. They may often reflexively mirror tropes from public culture or retreat into reflective self-inquiries seeking respite from the chaos of the outside world. Bharti Kher has worked in a variety of media creating paintings, sculptures, installations, and text. From Pointillism to Pixelation, Wilhelm-Hack-Museum, Germany - Desire in Art, from the 20th Century to the Digital Age, IMMA, Dublin, Ireland bharti kher’s work is part of two current exhibitions: ‘chalo! - Sidewinder, curated by Gerard Hemsworth for CIMA Gallery, Kolkata, India New York, Jack Shainman Gallery, Bharti Kher- An Absence of Assignable Caused, November-December 2007 (illustrated in colour, pp. - Mom and Pop, Walsh Gallery, Chicago, USA - Contemporary Female Identities in the Global South, Joburg Contemporary Art Fondation, Johannesburg, South Africa Ancient Knowledge in Contemporary Art, Kunstmuseum Luzern,Lucerne - Many, (too) many, more than before, Galerie Perrotin, Hong Kong - Edge of The Century, curated by Amit Mukopadya, British Council, (cat), New Delhi, India Asia Pacific Triennale, Queensland Art Gallery, (cat), Brisbane, Australia - The Sanskriti Award The association with caste and/or the Hindu religion stems from a confusion or conflation of wearing bindis and receiving a vermilion tikka between the eyebrows at a temple. Among her signature materials, she uses ready-made, colored vinyl bindis to create spectacularly vibrant paintings. - Khoj Residency Show, Khoj Studios, New Delhi, India - The First Kiev Biennale of Contemporary Art: The best of times, the worst of times. Artists engaged with new paradigms of global and national space typically choose one of two paths. - Zeitsprunge Raumfolgen curated by Simone Wilke, IFA Galerie Berlin and Stutgard, (cat), Germany For her large scale art, she is known to work with an army of female studio assistants, most of them immigrants who have flocked to the metropolis from smaller towns and villages in India. - Bronze Age c.3500 BC - AD 2018, Firstsite, Colchester, England 2013 2019 2016 Born in London in 1969, Bharti Kher’s art gives form to quotidian life and its daily rituals in a way that reassesses and transforms their meaning to yield an air of magical realism. - The Future Is Already Here – It’s Just Not Evenly Distributed, 20th Biennale of Sydney, Sydney, Australia This ultimate symbol of maleness and fertility used as the ultimate mark of female beautification results in something new altogether. Exhibition curator Peter Pakesch introduces ‘Mike Kelley. - Impact, curated by Jim Beard Gallery, Amsterdam at CCA New Delhi, India - Chimeras, Pasquart Kunsthaus Centre d'art, Biel/Bienne, Switzerland  Although these are both misconceptions, they hold the seeds of some truth - they are wrong in interesting ways. - I See You, Savannah College of Art and Design, Savannah, USA - This Breathing House, Freud Museum, London - Sing to them that will listen Galerie Emmanuel Perrotin, Paris - Inevitable undeniable necessary, Hauser & Wirth, London - Not All Who Wanders Are Lost, Isabella Stewart Gardner Museum, Boston, USA - Cutting Edge Contemporary, curated by Art Edge, NGMA Mumbai, Interiors Espana, New Delhi, India - Aar Paar, an exchange between five Indian and Pakistani artists, curated by Shilpa Gupta and Hema Mulji, at Kundan Pan Shop, Karachi, Pakistan 2018 2000 - Messengers, Grunwald Gallery of Art, Indiana University, Bloomington, USA  - Hed end aagse Kunst uit India, Central Bureau Vande Hogeschool, Amsterdam, The Netherlands 2014 Style and technique of the artist: Sculpture Objects, Installation art, Bharti Kherartworks on eBay Original artworks, prints, exhibition posters, monographs, books, collectibles. - Postcards for Gandhi, a Sahmat Exhibition in five cities in India Acquire this print on its own, or collect the entire suite, which includes editions by six artists featured in the book—Cecily Brown, Lubaina Himid, Bharti Kher, Catherine Opie, Jenny Saville, and Dana Schutz—who have worked closely with Artspace, Phaidon, and Kering to contribute works exclusively for the Great Women Artists portfolio. - International exhibition of sculptures and installations, organised by Arte Communications and the Department of culture of the Venice City Council. 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